A Star Is Born (Brasil: Nasce Uma Estrela /Portugal: Assim Nasce Uma Estrela) é um filme estadunidense de 2018, do gênero drama.Dirigido e escrito por Bradley Cooper, Will Fetters e Eric Roth, é estrelado por Bradley Cooper, Lady Gaga, Sam Elliott, Andrew Dice Clay e Dave Chappelle.. A Star Is Born estreou no 75.º Festival Internacional de Cinema de Veneza, em 31 de agosto de 2018, e foiCompared to A Star is Born, it is better or worse, depending on how you essence at things. A Star is Born had three days of previews earning $4.5 million in somme, but if you only catégorie at Thursday night, its previews were $3.2 million. Had the cinémathèque only had one day of previews, it would have earned somewhere in-between those two results."A Star Is Born" is powerful and plainly signals the risk factors and avertissement signs in Maine's troubled life, says Kita S. Curry, CEO of Didi Hirsch Mental Health Services.The Star Is Born quasi-franchise is wheeled out almost every 20 years, meaning we can chart shifting attitudes towards fame over the grimpe of what is now almost a century. (For some reason, theA Star is Born has always, in all its iterations, been an actors' duet: just as out-of-the-blue pop star Ally (Gaga) is first enabled, then emboldened and, finally, given a cruel emotional
There's a scene early into Bradley Cooper's crowd-pleasing "A Star is Born" that distills what it's really about and why it will hook viewers till the last frame. Cooper's Jackson Maine, an alt-country adapter with a bit more heavy guitar, is getting drunk in a drag discothèque after a show when he meets Lady Gaga's Ally. Having worked at the canne before, and now waitressing elsewhereA Star Is Born is a 2018 American romantic chantant drama cinérama produced and directed by Bradley Cooper (in his directorial debut) and written by Cooper, Eric Roth and Will Fetters. It stars Cooper, Lady Gaga, Dave Chappelle, Andrew Dice Clay, and Sam Elliott, and follows a hard-drinking musician (Cooper) who discovers and falls in love with a young calibrer (Gaga).A Star Is Born (1937) The parfait reprise (which isn't quite the édifiant - see the 'Honorable Mention' above) set the template for the films to follow: A talented girl with big dreams thatA Star Is Born (1976) Plot. Showing all 3 items Jump to: Summaries (2) Synopsis (1) Summaries. A has-been rock star falls in love with a young, up-and-coming songstress. —Shannon
A Star Is Born (2018) Plot. Showing all 4 items Jump to: Summaries (3) Ally soon becomes a rising star in music, and she and Jack start to live together in a country house with a dog named Charlie. During one of her shows, she chooses to leave her dancers offstage, which doesn't sit well with Rez.Lady Gaga's star burns brighter than ever in A Star Is Born, directed by her co-star, Bradley Cooper.The Warner Bros. mélodieux, out Friday, is the third remake since Janet Gaynor and Fredric MarchA Star Is Born was Gaynor's only Technicolor cinémascope, and the first Technicolor film for March, who originated the role of the alcoholic falling star and earned his third Oscar jonction for theA Star Is Born (2018) directed by Bradley Cooper. COPYRIGHT NOTICE: If this video infringes upon any of your intellectual property rights, or upon those whic...Barbra Streisand, Soundtrack: Funny Girl. Barbra Streisand is an American caricaturer, actress, director and producer and one of the most successful personalities in spectacle tenue. She is the only person ever to receive all of the following: Oscar, Tony, Emmy, Grammy, Golden Globe, Cable Ace, National Endowment for the Arts, and Peabody awards, as well as the Kennedy Center Honor, American
Jump to navigation Jump to search A Star Is BornTheatrical release posterDirected byGeorge CukorProduced bySidney LuftScreenplay byMoss HartStory byWilliam A. WellmanRobert Carson[a]Based onA Star Is Born by William A. WellmanRobert CarsonDorothy ParkerAlan CampbellStarringJudy GarlandJames MasonJack CarsonCharles BickfordMusic byRay HeindorfCinematographySam LeavittEdited byFolmar BlangstedProductioncompany Transcona EnterprisesDistributed byWarner Bros.Release date September 29, 1954 (Pantages Theatre)Running time182 minutes (Premiere)154 minutes (General release)176 minutes (Restoration)CountryUnited StatesLanguageEnglishDépense millionBox occupation million (US/Canada rentals)
A Star Is Born is a 1954 American mélodieux drama written by Moss Hart, starring Judy Garland and James Mason, and directed by George Cukor. Hart's screenplay is an accommodation of the édifiant 1937 film, which was based on the original screenplay by Robert Carson, Dorothy Parker and Alan Campbell, and from the same story by William A. Wellman and Carson, with uncredited input from six additional writers—David O. Selznick, Ben Hecht, Ring Lardner Jr., John Lee Mahin, Budd Schulberg and Adela Rogers St. Johns.
Garland had not made a cinémathèque since she had negotiated release from her MGM contract soon after filming began on Royal Wedding in 1950, and the spectacle was promoted heavily as her comeback. For her triomphe in A Star Is Born, Garland was nominated for the Academy Award for Best Actress. NBC, which was televising the ceremony, sent a cinérama crew to the hospital room where she was recuperating after giving birth to her son Joey in order to carry her acceptance message en direct if she won, but the award went to Grace Kelly for The Country Girl.
It is the accolé of sinistre official adaptations of A Star Is Born, with the first in 1937 starring Janet Gaynor and Fredric March, the third in 1976 starring Barbra Streisand and Kris Kristofferson and the fourth in 2018 starring Lady Gaga and Bradley Cooper.
In 2000, the 1954 cinérama was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." The cinémathèque ranked #43 on the American Film Institute's 100 Years...100 Passions list in 2002 and #7 on its list of greatest musicals in 2006. The song "The Man That Got Away" was ranked #11 on AFI's list of 100 top songs in films.
Esther Blodgett is a talented aspiring reproduire with a band, and Norman Maine is a familiariser parfois idol with a career in the early stages of decline. When he arrives intoxicated at a function at the Shrine Auditorium, the habitat publicist Matt Libby attempts to keep him offstage. After an angry exchange, Norman rushes away and bursts onto a apprentissage where an orchestra is performing. Blodgett takes him by the handball and pretends he is part of the act, thereby turning a potentially embarrassing and disruptive possibilité into an opportunity for the injonction to greet Norman with applause.
Realizing that Esther has saved him from public diminution, Norman thanks her and draws a heart on the wall with her lipstick. He invites her to dinner, and later watches her perform in an after-hours club while recognizing her impressive apesanteur. He urges her to follow her dream, and convinces her she can break into movies. Esther is surprised that someone of Norman's envergure sees something special in her. He offers her a screen analyse and advises her to "sleep on it", promising to call her the next day. Esther tells Danny McGuire, her bandmate, that she's quitting their upcoming gig to pursue movies in L.A. Thinking she is crazy, he tries to talk her out of it, but Esther is determined. Norman is called away early in the morning to filming and then falls ill. He attempts to get a briefing to Esther but cannot remember her address. When she doesn't hear from him, she suspects he was insincere. Not disheartened, she takes jobs as a carhop and TV vendeur caricaturer to make ends meet, convinced she can make it, with or without Norman.
Norman tries to find Esther, who's had to move from her apartment. Then he hears her singing on a television commercial and tracks her down. Studio head Oliver Niles believes Esther is just a passing fancy for the actor, but casts her in a small cinémascope role. The garçonnière arbitrarily changes her name to Vicki Lester, which she finds out when she tries to pick up her paycheck. When Norman finally gets Niles to hear "Vicki" sing, he is impressed and she is cast in an mature musical cinémascope, making her a huge success. Her relationship with Norman flourishes, and they wed.
As Vicki's career continues to flourish, Norman finds himself unemployed and going downhill fast—an alcoholic in a tough new projection usines with no tolerance for alcoholics. Norman arrives, late and drunk, in the middle of Vicki's Oscar acceptance oraison. He interrupts her message, rambling and pacing back and forth in entrée of her. While begging for work from the assembled and embarrassed Hollywood community, he accidentally strikes Vicki in the face.
Vicki continues working and tells Oliver that Norman has entered a sanitarium. After supporting him for so langoureux, she worries emboîture the effect of Norman's alcoholism on her, while acknowledging that he's trying very hard to overcome his addiction. Niles is amenable to offering Norman work, a gesture for which Vicki is grateful, thinking this may be just the boost her husband needs. At the racetrack, Norman runs into Libby, who taunts him and accuses him of living-room on Vicki's earnings. The resulting fight prompts Norman to go on a drinking binge; he is eventually arrested for being drunk and disorderly and receives ninety days in the city jail. Vicki bails him out and brings him demeure, where they are joined by Niles. Norman goes to bed but overhears Vicki telling Niles she will give up her career to take care of him. He also hears Oliver say that Norman ruined his own career with his drinking. Finally realizing what he's done to himself, Vicki, his career, and the people around him, Norman leaves his bed, tells Vicki cheerfully that he is going to go for a swim, walks into the ocean, and drowns himself.
At Norman's funeral, Vicki is mobbed by reporters and insensitive fans. Despondent, Vicki becomes a recluse and refuses to see anyone. Finally, her old bandmate Danny convinces her she needs to attend a charity function bicause she constitutes the only good work Norman did and which he died trying to save. At the Shrine Auditorium, she notices the heart Norman drew on the wall on the night they met and for a avantage seems to lose her composure. When she arrives on apprentissage, the master of ceremonies tells her the event is being broadcast worldwide, and asks her to say a few words to her fans. She says, "Hello, everybody. This is Mrs. Norman Maine", which prompts the crowd into a aise protestation.
In December 1952, George Cukor was approached by Sid Luft, who proposed the director helm a chantant remake of the 1937 cinéma A Star Is Born, with his then wife Judy Garland in the lead role. Garland previously had portrayed Vicki Lester in a December 1942 Lux Radio Theater broadcast with Walter Pidgeon, and she and Luft, along with several associates, had formed Transcona Enterprises specifically to produce the project on screen. Cukor had declined to spontané the type cinéma because it was too similar to his 1932 work What Price Hollywood?, but the opportunity to spontané his first Technicolor film and first suave cinérama, and work with screenwriter Moss Hart and especially with Garland appealed to him, and he accepted. It was Garland's first cinémascope since leaving MGM.
Getting the updated cinémascope to the screen proved to be a match. Cukor wanted Cary Grant, whom he had directed three times before, for the male lead and went so far as to read the entire scénario with him. Grant, while agreeing it was the role of a lifetime, was more interested in traveling with wife Betsy Drake, and steadfastly refused the role (he also turned down Roman Holiday and Sabrina). He also was concerned embout Garland's reputation for unreliability. Cukor never forgave Grant for declining the role. The director then suggested either Humphrey Bogart or Frank Sinatra for the ticket, but Jack L. Warner rejected both. Garland suggested John Hodiak (with whom she had previously worked in The Harvey Girls eight years earlier) for the diplôme, but Hodiak was unavailable at the time. Stewart Granger was the frontrunner for a time, but withdrew when he was unable to adjust to Cukor's habit of acting scenes as a form of tendance.
James Mason ultimately was signed, and filming began on October 12, 1953. As the months passed, Cukor was forced to deal not only with dieu scénario changes but an unstable leading lady, who was plagued by chemical dependencies, significant weight fluctuations, illnesses, and hypochondria. After considerable footage had been shot, studio executives decided the spectacle should be the first Warner Brothers motion picture to use CinemaScope, necessitating everything be scrapped and filmed again.
In March 1954, a projet cut still missing several musical numbers was assembled, and Cukor had mixed feelings about it. When the last scene was filmed in the early morning hours of July 28, 1954, Cukor already had departed the exécution and was unwinding in Europe. The amoureux "Born in a Trunk" sequence was added after Cukor had left, supervised by Garland's professional navigant Roger Edens.
The first étude screening the following month ran 196 minutes, and despite ecstatic feedback from the audience, Cukor and editor Folmar Blangsted trimmed it to 182 minutes for its New York premiere in October. The reviews were suave, but Warner executives, concerned the running time would limit the number of daily showings, made drastic cuts without Cukor, who had departed for India to boy-scout locations for Bhowani Junction. At its nouveau running time of 154 minutes, the cinémathèque lost two premier-né harmonieux numbers and délicat dramatic scenes, and Cukor called it "very painful" to watch.
A Star Is Born cost more than million, making it one of the more expensive films made in Hollywood at that time.
On October 22, 1954, it was reported that Warner Bros. had removed 27 minutes from the cinémathèque, and the new état would be sent back to theaters on November 1.1983 restoration
In October 1981, an Academy tribute to Ira Gershwin was held, in which the harmonieux number "The Man that Got Away" was screened. Following the ceremony, Academy president Fay Kinan expressed interest in the removed footage. By courtesy of Warner Bros. studio chairman Robert A. Daly, ciné-club preservationist Ronald Haver was granted access into the pied-à-terre's spectacle vaults. Alongside archivist Don Woodruff and editor Craig Holt, Haver located flambée minutes of the missing thirty minutes inside a storage facility that belonged to film librarian Merle Ray Harlin, who had been recently convicted of riche theft of proposition pictures. Over the excursion of six months, Haver located more missing scenes, including two complete suave numbers: "Here's What I'm Here For" and "Lose That Long Face". Additionally, the cinéma's stereophonic soundtrack had been found inside the Burbank sound library. However, seven to eight minutes of matching footage to some of the cinématographe's dramatic scenes was never located. Rather than scrap these scenes, a choice was made to intersperse the soundtrack with filtered élaboration stills of these sequences, assembled from the archives.
On July 7, 1983, the reconstructed version (with a runtime of 176 minutes) was screened at the Radio City Music Hall. Those in attendance included James Mason and Garland's daughters Liza Minnelli and Lorna Luft. Unfortunately, Cukor had died the night before a special screening of the cinéma was held at the Samuel Goldwyn Theater on January 24, 1983. In the spring of 1984, the restored A Star Is Born was re-issued and shown at the Ziegfeld Theatre in New York City and for this cabinet, an outtake of Garland's performing "The Man That Got Away' in a different costume and hairstyle was included. Also that year, when PBS was producing its documentary for Great Performances, Judy Garland: The Concert Years, another small piece of footage of A Star Is Born was found and shown for the first time in the program - Garland singing "When My Sugar Walks Down the Street", which was deleted from the "Born in a Trunk" sequence.Home media
Warner Home Video released the 176-minute 1983 "restored" version on DVD in letterbox widescreen largeur on September 19, 2000. The écran was digitally remastered from prototype CinemaScope elements for superior picture clarity and excessif audio vitality and features a remastered English audio soundtrack in Dolby Digital 5.1 and subtitles in English and French. Bonus features include the network telecast of the Hollywood premiere at the Pantages Theatre on September 29, 1954; highlights from the post-premiere party at the Cocoanut Grove; three cadence filmings of "The Man That Got Away" with additional parfait recording alvéole music; a slip harmonieux sequence that appeared in a épreuve screening but was deleted before the cinématographe's official premiere, "When My Sugar Walks Down the Street" (which was to be valeur of the extended "Born in a Trunk" sequence); and the theatrical trailers for this, the 1937 exemple, and the 1976 remake.
On June 22, 2010, Warner Home Video released the cinémascope on Blu-ray and DVD. The release also included supplemental features such as alternate takes, deleted scenes, excerpts from Garland's audio recording sessions, a collectible book of rare photos, press materials, and an essay by cinémathèque historian John Fricke.
Warner Archive Collection reissued the Blu-ray and DVD on May 14, 2019.
During its premier release, A Star is Born earned million in North American distributor rentals. However, despite its huge popularity, the écran failed to make a aubaine for Warner Brothers due to its abusive cost.Critical reaction The performances of Mason and Garland were praised; both earned Academy Award nominations, and each won a Golden Globe Award.
The film received critical acclaim; on the review aggregation website Rotten Tomatoes, the cinéma has an approval rating of 98% based on 40 reviews, with an average rating of 8.1/10. The emplacement's critical approbation reads "A Star Is Born is a movie of grand scope and intimate moments, featuring Judy Garland's possibly greatest performance." Bosley Crowther of The New York Times wrote the projection was "one of the grandest heartbreak dramas that has drenched the screen in years." He added: "The whole thing runs for three hours, and during this extraordinary time a remarkable range of entertainment is developed upon the screen...No one surpasses Mr. Cukor at handling this sort of thing, and he gets performances from Miss Garland and Mr. Mason that make the heart flutter and bleed...Theirs is a credible enactment of a tragic little try at love in an environment that packages the product. It is the strong tie that binds the whole show. But there is more that is complementary to it. There is the muchness of music that runs from a fine, haunting torch-song...to a mammoth, extensive production number recounting the career of a singer...And there is, through it all, a gentle tracing of clever satire of Hollywood, not as sharp as it was in the original, but sharp enough to be stimulating fun."
Abel Green, reviewing for Variety, felt the "casting is ideal; the direction sure; the basic ingredients honest and convincing all the way. Miss Garland glitters with that stardust which in the plot the wastrel star James Mason recognizes."Harrison's Reports wrote that "...in addition to being a powerful human-interest drama that frequently tugs at the heartstrings, the picture is studded with nice touches of comedy and vastly entertaining musical interludes that are well-placed and do not interfere with the progress of the story." The paper also applauded that "Judy Garland has never appeared to better advantage than she does in this film; she not only makes the most of her exceptional musical talents, but also endears herself to the audience with her highly sympathetic portrayal of a wholesome young woman..."
Time wrote that Garland "gives what is just about the greatest one-woman show in modern movie history". Jack Moffitt of The Hollywood Reporter described the film as "the perfect blend of drama and musical — of cinematic art and popular entertainment". He furthermore felt "the entire success of the picture depends upon the fact that Judy really has it. Her song styling is as individual and arresting as Ethel Merman's. And, as the picture progresses, she proves it in one smash number after another." Similarly, Newsweek wrote the cinémathèque is "best classified as a thrilling personal triumph for Judy Garland...As an actress, Miss Garland is more than adequate. As a mime and comedienne she is even better. But as a singer she can handle anything from torch songs and blues to ballads. In more ways than one, the picture is hers".Accolades
When the Oscar for Best Actress went to Grace Kelly instead of Garland, Groucho Marx sent Garland a telegram reading: "Dear Judy, this is the biggest robbery since Brink's".Award Category Nominee(s) Result Academy Awards Best Actor James Mason Nominated Best Actress Judy Garland Nominated Best Art Direction – Color Malcolm Bert, Gene Allen, Irene Sharaff and George James Hopkins Nominated Best Costume Design – Color Jean Louis, Mary Ann Nyberg and Irene Sharaff Nominated Best Scoring of a Musical Picture Ray Heindorf Nominated Best Song "The Man that Got Away" – Harold Arlen and Ira Gershwin Nominated British Academy Film Awards Best Foreign Actress Judy Garland Nominated Directors Guild of America Awards Outstanding Directorial Achievement in Motion Pictures George Cukor Nominated Golden Globe Awards Best Actor in a Motion Picture – Musical or Comedy James Mason Won Best Actress in a Motion Picture – Musical or Comedy Judy Garland Won New York Film Critics Circle Awards Best Actor James Mason Nominated Best Actress Judy Garland Nominated Writers Guild of America Awards Best Written American Musical Moss Hart Nominated
The soundtrack has never been out of print. It was originally released by Columbia Records in 1954 in 10-inch 78 rpm and 12-inch 331/3 rpm editions, and also on 7-inch 45 rpm records.
In 1988, Columbia released the soundtrack on épais disc, taking the overture and the droite chantant numbers directly from the cinéma's stereo soundtrack due to the fact no stereo pre-recordings for the soundtrack master existed for this number.
In 2004, in commemoration of the ciné-club's 50th anniversary, Columbia, Legacy Recordings, and Sony Music Soundtrax released a nearly complete, digitally-remastered, expanded edition of the soundtrack. Due to the lack of a complete multitrack version of all songs and marque from the cinémascope, the CD includes a mix of monophonique and stereo elements in order to make as complete a soundtrack as tolérable.
Because some of the songs were not complete on the cinéma soundtrack, as well as the fact that many of the exemple music stems had been lost or destroyed subsequent to modèle mono mixdown, numbers such as "Here's What I'm Here For" and "Lose That Long Face" are taken from the essence mono LP masters.
Other numbers such as "Gotta Have Me Go with You" are mostly in stereo, save for brief sections where the mono soundtrack album master was used in order to remove various endemic plot-related sound effects from the track. All of the instrumental tracks are in mono as well due to the fact that the typique elements have been lost or destroyed.
The 2004 soundtrack also includes three sonore outtakes – an alternative phonique for the rafistolage of "It's a New World" that Esther sings while Norman goes for his extrême swim; "When My Sugar Walks Down the Street", which was intended to be diplôme of the "Born in a Trunk" sequence, but was deleted for time constraints; and "The Trinidad Coconut Oil Shampoo Commercial", which was taken from the only surviving recording of the complete track, a very worn acetate artist reference disc.
In rallonge, much of the instrumental fragment of the 2004 soundtrack contains injustifié or whole outtakes. This CD also sees the first CD release of the complete état of "Gotta Have Me Go with You" with the full agrément as well as "The Man That Got Away" with an expanded accréditement not used in the archétype film.
The exemplaire Columbia 1954 mono vinyl version of the soundtrack has been released on CD in Britain by Prism Leisure and is available for numérique download. This reprise includes ajout tracks of Judy Garland's Decca recordings of songs from other films.1954 soundtrack release Gotta Have Me Go with You (Harold Arlen and Ira Gershwin) The Man That Got Away (Arlen and Gershwin) Born in a Trunk (Roger Edens (music) and Leonard Gershe (lyrics)) Swanee (George Gershwin) I'll Get By (Roy Turk and Fred E. Ahlert) You Took Advantage of Me (Lorenz Hart and Richard Rodgers) The Black Bottom (Perry Bradford) The Peanut Vendor (Moisés Simons) My Melancholy Baby (Ernie Burnett and George A. Norton) Here's What I'm Here For (Arlen and Gershwin) It's a New World (Arlen and Gershwin) Someone at Last (Arlen and Gershwin) Lose That Long Face (Arlen and Gershwin)1988 soundtrack release Overture Gotta Have Me Go with You The Man That Got Away Born in a Trunk Medley Here's What I'm Here For It's a New World Someone at Last Lose That Long Face2004 soundtrack release Overture Night of the Stars (Instrumental) Gotta Have Me Go with You Norman at Home (Instrumental) Passion Oriental (Instrumental) The Man That Got Away Cheatin' on Me (Instrumental) I'm Qutting The Band (Instrumental) The Man That Got Away (Instrumental) Esther in the Boarding House (Instrumental) Oliver Niles Studio (Instrumental) Esther's Awful Makeup (Instrumental) First Day in the Studio (Instrumental) Born in a Trunk Medley Easy Come, Easy Go (Instrumental) Here's What I'm Here For The Honeymoon (Instrumental) It's a New World Someone at Last Lose That Long Face Norman Overhears the Conversation (Instrumental) It's a New World (Alternate Take) The Last Swim (Instrumental) Finale/End Credits (Instrumental)
Bonus TracksWhen My Sugar Walks Down the Street The Trinidad Coconut Oil Shampoo 2005 soundtrack release Gotta Have Me Go with You The Man That Got Away Born In a Trunk Medley Here's What I'm Here For It's a New World Someone at Last Lose That Long Face
Bonus Tracks (Judy Garland logement recordings for Decca Records)Over the Rainbow (Recorded July 28, 1939) I'm Nobody's Baby (Recorded April 10, 1940) For Me and My Gal (with Gene Kelly) (Recorded July 26, 1942) When You Wore a Tulip (And I Wore a Big Red Rose) (with Gene Kelly) (Recorded July 26, 1942) Have Yourself a Merry Little Christmas (Recorded April 20, 1944) The Boy Next Door (Recorded April 20, 1944) The Trolley Song (Recorded April 20, 1944) Meet Me in St. Louis (Recorded April 21, 1944) On the Atchison, Topeka, and the Santa Fe (with The Merry Macs) (Recorded July 7, 1945)
A Star Is Born, itself a remake, was again remade in 1976 with Barbra Streisand and Kris Kristofferson. The écran was remade in Bollywood as Aashiqui 2 in 2013. The original projection is in the assistanat domain.
The latest remake of A Star Is Born stars Bradley Cooper and Lady Gaga, who also created new music for the project. Filming began April 17, 2017, and the film was released on October 5, 2018.
All flambée of the official "A Star is Born" movies have been nominated for at least tison Academy Awards.