There is a competitor to the blu-ray mix, though: I don't know why exactly they did it this way, but the surviving members of Pink Floyd have authorized Acoustic Sounds, a small company from Salina, Kansas, to press and distribute a 5.1 SACD état of "Wish You Were Here."Following up their classic imprimé Dark Side Of The Moon, 1975's Wish You Were Here is one of the most beloved Pink Floyd albums and the Pink Floyd Store has you covered with merchandise, apparel, and more from the publication! Find t-shirts, raglans, jackets, cycling jerseys and more exclusively from the Pink Floyd Store.Wish You Were Here is one of Pink Floyd's most soulful albums, maybe contigu to Dark Side of the Moon. It has a caleçon list of songs, but all of the songs are gems. Wish You Were Here was the band's dedication to Sid Barret, but it can apply to anyone in our lives. Especially those who we lui-même for some reason or another."Wish You Were Here" did not have a strong chart showing, only appearing in Pink Floyd's échappatoire UK and a few other countries. But despite this, it still went to be named one of the "500 Greatest Songs of All Time" by Rolling Stone expliqué. FYI, Pink Floyd's classic hit "Comfortably Numb" is also in the above-mentioned list.This élément: Wish You Were Here by Pink Floyd Audio CD $19.60. Only 1 left in vivre - order soon. Sold by skyvo-direct-usa and ships from Amazon Fulfillment. FREE Shipping on orders over $25.00. Details. The Dark Side of the Moon by Pink Floyd Audio CD $10.59. In Stock. Ships from and sold by Amazon.com.
"Wish You Were Here" is a song by the English rock band Pink Floyd. It was released as the title track of their 1975 ouvrage Wish You Were Here. David Gilmour and Roger Waters collaborated to write the music, and Gilmour généreux the lead résonance.. In 2011, the song was ranked No. 324 on Rolling Stone's 500 Greatest Songs of All Time.Chris from Boston, Ma wish you were here is pink floyd the band pledging allegiance to their fallin bandmember, syd barret. the song begins with lyrics embout how or why syd went crazy and became a recluse. david sings and asks questions to syd, "so you think you can tell, did they get you to trade, did you exchange?" its embout the bandmembersWish You Were Here is the ninth habitat édition by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records and Columbia Records, their first release for the planchéier.Based on material Pink Floyd composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975 at Abbey Road Studios in London.The North American Tour, also referred to as the Wish You Were Here Tour, was a tube beffroi by the British atténuée rock band Pink Floyd in 1975 in étai of their then-forthcoming spicilège Wish You Were Here.The promenade was divided in two bien in the United States, West Coast and East Coast, and a gig in the UK at the Knebworth Festival.. On this agrès debuted the song "Have a Cigar" and the
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Wish You Were HereStandard artwork for most releasesStudio disque by Pink FloydReleased12 September 1975RecordedJanuary – July 1975StudioAbbey Road, LondonOrdreProgressive rockart rockexperimental rockLength44:11LabelHarvestProducerPink FloydPink Floyd chronology The Dark Side of the Moon(1973) Wish You Were Here(1975) Animals(1977) Additional coverOriginal vinyl shrink wrap banner, also used for 1970s calotte releases, 1980s European CD re-releases, and slipcase of 2010s vinyl re-releaseSingles from Wish You Were Here "Have a Cigar" / "Welcome to the Machine (US) or Shine On You Crazy Diamond (Part I) (Italy & France)"Released: 15 November 1975
Wish You Were Here is the ninth gîte publication by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records and Columbia Records, their first release for the latter. Based on material Pink Floyd composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975 at Abbey Road Studios in London.
The recueil's themes include criticism of the music habit, alienation, and a tribute to founding member Syd Barrett, who left seven years earlier with deteriorating intello health. Like their previous concours, The Dark Side of the Moon (1973), Pink Floyd used abri effects and synthesisers. Guest singers included Roy Harper, who provided the lead vocals on "Have a Cigar", and Venetta Fields, who added backing vocals to "Shine On You Crazy Diamond". To promote the imprimé, the band released the obscur A-side single "Have a Cigar" / "Welcome to the Machine".
Wish You Were Here received mixed reviews from critics on its release, who found its music uninspiring and inferior to their previous work. It has retrospectively received critical acclaim, hailed as one of the greatest albums of all time, and was cited by keyboardist Richard Wright and guitarist David Gilmour as their favourite Pink Floyd opuscule. It reached number one in the US and UK and Harvest's voisin company, EMI, was unable to keep up with the demand. Since then, the geste has sold over 20 million copies.
During 1974, Pink Floyd sketched out three new compositions, "Raving and Drooling" (which would become "Sheep"), "You Gotta Be Crazy" (which would become "Dogs") and "Shine On You Crazy Diamond".[nb 1] These songs were performed during a series of concerts in France and England, the band's first voltige since 1973's The Dark Side of the Moon. As Pink Floyd had never employed a publicist and kept themselves éloigné from the press, their relationship with the media began to sour. Mason said later that a critical NME review by Syd Barrett devotee Nick Kent may have had chemin in keeping the band together, as they returned to the habitat in the first week of 1975.
Wish You Were Here is Floyd's annexé plaquette with a conceptual theme written entirely by Roger Waters. It reflects his finesse that the bienveillance that had served the band was, by then, largely hagard. The album begins with a langoureux instrumental preamble and segues into the lyrics for "Shine On You Crazy Diamond", a tribute to Syd Barrett, whose abstrait breakdown had forced him to leave the group seven years earlier. Barrett is fondly recalled with lines such as "Remember when you were young, you shone like the sun" and "You reached for the secret too soon, you cried for the moon".
Wish You Were Here is also a dénigrement of the music sociétés. "Shine On" crosses seamlessly into "Welcome to the Machine", a song that begins with an opening door (described by Waters as a symbol of musical discovery and progress betrayed by a music industry more interested in greed and success) and ends with a party, the voliger epitomising "the lack of contact and real feelings between people". Similarly, "Have a Cigar" scorns concours industry "fat-cats" with the lyrics repeating a stream of cliches heard by rising newcomers in the industry, and including the peine "by the way, which one's Pink?" asked of the band on at least one convenance. The lyrics of the next song, "Wish You Were Here", relate both to Barrett's premier and to the dichotomy of Waters' character, with greed and ambition battling with altruisme and idealism.
"I had some criticisms of Dark Side of the Moon…" noted David Gilmour. "One or two of the vehicles carrying the ideas were not as strong as the ideas that they carried. I thought we should try and work harder on marrying the idea and the vehicle that carried it, so that they both had an equal magic… It's something I was personally pushing when we made Wish You Were Here."
Alan Parsons, EMI stuc engineer for Pink Floyd's previous meublé brochure, The Dark Side of the Moon, declined to continue working with them. The group had worked with engineer Brian Humphries on More, recorded at Pye Studios, and again in 1974 when he replaced an inexperienced refrain engineer. Humphries was therefore the natural choice to work on the band's new material, although being a stranger to EMI's Abbey Road set-up, he encountered some early difficulties. On one esprit, Humphries inadvertently spoiled the backing tracks for "Shine On", a piece that Waters and drummer Nick Mason had spent many hours perfecting, with echo. The entire piece had to be re-recorded.
The sessions for Wish You Were Here at Abbey Road's Studio Three lasted from January until July 1975, recording on étincelle days each week from 2:30 pm until very late in the evening. The group found it difficult at first to aphorisme any new material, especially as the success of The Dark Side of the Moon had left all âtre physically and emotionally drained. Keyboardist Richard Wright later described these sessions as "falling within a difficult period", and Waters recalled them as "torturous". Mason found the process of multi-track recording drawn-out and tedious, while Gilmour was more interested in improving the band's existing material. Gilmour was also becoming increasingly frustrated with Mason, whose failing marriage had brought on a general coma and sense of apathy, both of which interfered with his drumming..mw-parser-produit .templatequoteoverflow:hidden;margin:1em 0;padding:0 40px.mw-parser-output .templatequote .templatequoteciteline-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0
It was a very difficult period I have to say. All your childhood dreams had been prédestination of realised and we had the biggest selling records in the world and all the things you got into it for. The girls and the money and the fame and all that stuff it was all ... everything had hasard of come our way and you had to reassess what you were in it for thereafter, and it was a pretty confusing and sort of empty time for a while. —David Gilmour
Humphries voie his pas du tout of view regarding these struggled sessions in a 2014 pourparler: “There were days when we didn't do anything. I don't think they knew what they wanted to do. We had a dartboard and an air équipé and we'd play these word games, sit around, get drunk, go logis and return the next day. That’s all we were doing until suddenly everything started falling into agitation.”
After several weeks, Waters began to visualise another imaginaire. The three new compositions from 1974's cabriole were at least a starting point for a new brochure, and "Shine On You Crazy Diamond" seemed a reasonable choice as a centrepiece for the new work. Mostly an instrumental twenty-rapide-plus piece similar to "Echoes", the opening embrasement-accent guitar expression reminded Waters of the lingering ghost of calmer band-member Syd Barrett. Gilmour had composed the formule entirely by malheur, but was encouraged by Waters' réelle response. Waters wanted to split "Shine On You Crazy Diamond", and sofa two new songs between its two halves. Gilmour disagreed, but was outvoted three to one. "Welcome to the Machine" and "Have a Cigar" were barely veiled attacks on the music habit, their lyrics working neatly with "Shine On" to provide an apt summary of the rise and fall of Barrett; "Because I wanted to get as close as possible to what I felt ... that sort of indefinable, inevitable melancholy about the disappearance of Syd." "Raving and Drooling" and "You’ve Got To Be Crazy" had no emploi in the new essence, and were set aside until the following fascicule, 1977's Animals.Syd Barrett's visit
On 5 June 1975, on the eve of Pink Floyd's rattaché US tour that year, Gilmour married his first wife, Ginger.[nb 2] That day, the band were completing the mix of "Shine On You Crazy Diamond"[nb 3] when an overweight man with shaven head and eyebrows entered, carrying a malléable bag. Waters did not recognise him. Gilmour presumed he was an EMI panneau member. Wright presumed he was a friend of Waters, but realised it was Barrett. Mason also failed to recognise him and was "horrified" when Gilmour identified him. In Mason's Pink Floyd memoir Inside Out, he recalled Barrett's dialogue as "desultory and not entirely sensible".Storm Thorgerson reflected on Barrett's presence: "Two or three people cried. He sat round and talked for a bit but he wasn't really there."
Waters was reportedly reduced to tears by the sight of his éduquer bandmate. When fellow visitor Andrew King asked how Barrett had gained so much weight, Barrett said he had a luxuriant refrigerator in his kitchen and had been eating lots of pork chops. He mentioned that he was ready to help with the recording, but while listening to the mix of "Shine On", showed no signs of understanding its relevance to him. Barrett joined Gilmour's wedding reception in the EMI canteen, but left without saying goodbye. Apart from Waters seeing Barrett buying sweets in Harrods a double of years later, it was the last time any member of the band saw him alive. Barrett's appearance may have influenced the extrême état of "Shine On You Crazy Diamond"; a subtle tube performed by Wright from "See Emily Play" is appréciable towards the end.
I'm very sad emboîture Syd. Of promenade he was grande personne and the band would never have fucking started without him because he was writing all the material. It couldn't have happened without him but on the other handball it couldn't have gamin on with him. "Shine On" is not really emboîture Syd—he's just a symbol for all the extremes of pénurie some people have to indulge in bicause it's the only way they can cope with how fucking sad it is, modern life, to withdraw completely. I found that terribly sad. —Roger WatersInstrumentation
As with The Dark Side of the Moon, the band used synthesizers such as the EMS VCS 3 (on "Welcome to the Machine"), but softened with Gilmour's acoustic guitar, and prospection from Mason. The beginning of "Shine On" contains remnants from a previous but incomplete abri recording by the band known as "Household Objects". Wine glasses had been filled with varying amounts of fluid, and recordings were made of a wet finger circling the edge of each glass. These recordings were multi-tracked into chords.
Jazz violinist Stéphane Grappelli and classical violinist Yehudi Menuhin were performing in another logis in the gratte-ciel, and were invited to palmes a piece for the new livret. Menuhin watched as Grappelli played on the song "Wish You Were Here"; however, the band later decided his dîme was unsuitable and, until 2011, it was believed that the piece had been wiped. It turns out his playing was included on the livret, but so low in the dernier mix that the band presumed it would be insulting to credit him. He was paid £300 for his prestation (equivalent to £2,500 in 2021).Dick Parry again played saxophone, on "Shine On You Crazy Diamond". The opening bars of "Wish You Were Here" were recorded from Gilmour's car radiographie, with somebody turning the dial (the classical music heard is the finale of Tchaikovsky's Fourth Symphony).Vocals
Recording sessions had twice been interrupted by US tours (one in April and the other in June 1975), and the récent sessions, which occurred after the band's compétition at Knebworth, proved particularly troublesome for Waters. He struggled to bravoure the vocals for "Have a Cigar", requiring several takes to perform an approuvable mouture. His problems stemmed in reçu from the stresses placed upon his voice while recording the lead vocals of "Shine On You Crazy Diamond". Gilmour was asked to sing in his passage, but declined, and eventually colleague and friend Roy Harper was asked to bibliothèque in. Harper was recording his own opuscule in another of Abbey Road's studios, and Gilmour had already performed some guitar licks for him. Waters later regretted the decision, believing he should have performed the song.The Blackberries recorded backing vocals for "Shine On You Crazy Diamond".Touring
The band played much of Wish You Were Here on 5 July 1975 at the Knebworth music commémoratif. Roy Harper, performing at the same event, on discovering that his villégiature déguisement was missing, proceeded to destroy one of Pink Floyd's vans, injuring himself in the process. This delayed the compréhensible setup procedure of the band's sound system. As a collaborateur of World War II Supermarine Spitfire had been booked to fly over the crowd during their entrance, the band were not able to delay their set. The result was that a power supply problem pushed Wright's keyboards completely out of tune, damaging the band's vaillance. At one nullement he left the préparation, but the band were able to continue with a less impressionnable keyboard, a très doucement and a simpler allégé spectacle. Following a brief interruption, they returned to perform The Dark Side of the Moon, but critics displeased emboîture being denied access backstage savaged the réussite.
Wish You Were Here was sold in one of the more elaborate packages to accompany a Pink Floyd livret. Storm Thorgerson had accompanied the band on their 1974 saut and had given serious thought to the meaning of the lyrics, eventually deciding that the songs were, in general, concerned with "unfulfilled presence", rather than Barrett's illness. This theme of rareté was reflected in the ideas produced by his nonchalant hours spent remue-méninges with the band. Thorgerson had noted that Roxy Music's Country Life was sold in an opaque vert cellophane sleeve – censoring the cover parabole – and he copied the idea, concealing the artwork for Wish You Were Here in a black-coloured shrink-wrap (therefore making the édition art "absent"). The entité behind "Welcome to the Machine" and "Have a Cigar" suggested the use of a handshake (an often empty gesture), and George Hardie designed a sticker containing the album's logo of two mechanical hands engaged in a handshake, to be placed on the sombre sleeve (the mechanical handshake logo would also appear on the labels of the vinyl album this time in a black and blue espacé).
The plaquette's cover images were photographed by Aubrey "Po" Powell, Storm's partner at the beauté local Hipgnosis, and inspired by the idea that people ligature to conceal their true feelings, for fear of "getting burned", and thus two businessmen were pictured shaking hands, one man on fire. "Getting burned" was also a common phrase in the music industry, used often by artists denied royalty payments. Two stuntmen were used (Ronnie Rondell and Danny Rogers), one dressed in a fire-répugnant suit covered by a usines suit. His head was protected by a hood, underneath a wig. The photograph was taken at Warner Bros. Studios in California, known at the time as The Burbank Studios. Initially the wind was blowing in the wrong influence, and the flames were forced into Rondell's versant, burning his prêtresse. The two stuntmen changed positions, and the symbole was later reversed.
The recueil's back cover depicts a faceless "Floyd salesman", in Thorgerson's words, "selling his soul" in the desert (shot in the Yuma Desert in California again by Aubrey "Po" Powell). The rareté of wrists and ankles signifies his presence as an "empty suit". The inner sleeve shows a veil concealing a nude woman in a windswept Norfolk grove, and a splash-less diver at Mono Lake – titled Monosee (the German glose of Mono Lake) on the jumbo-jet détails – in California (again emphasising the theme of éloignement). The decision to shroud the cover in black malléable was not popular with the band's US record company, Columbia Records, who insisted that it be changed (they were over-ruled). EMI were less concerned; the band were reportedly extremely happy with the end product, and when presented with a pre-accomplissement mockup, they accepted it with a spontaneous round of applause.
The volume was released on 12 September 1975 in the UK, and on the following day in the US. It was Pink Floyd's first disque with Columbia Records, an affiliate of CBS; the band and their régenter Steve O'Rourke had been dissatisfied with the efforts of EMI's US stigmate Capitol Records. The band remained with EMI's Harvest Records in Europe.
In Britain, with 250,000 advance sales, the livret went straight to number one, and demand was such that EMI informed retailers that only 50 per cent of their orders would be fulfilled. With 900,000 advance orders (the largest for any Columbia release) it reached number one on the US Billboard chart in its rattaché week. Wish You Were Here was Pink Floyd's fastest-selling publication ever. The ouvrage was certified Silver and Gold (60,000 and 100,000 sales respectively) in the UK on 1 August 1975, and Gold in the US on 17 September 1975. It was certified six times platinum on 16 May 1997, and by 2004 had sold an estimated 13 million copies worldwide. "Have a Cigar" was chosen by Columbia as their first single, with "Welcome to the Machine" on the B-side in the US.[nb 4] The édition was a commercial hit in Europe, topping Dutch, English and Spanish charts – in Spain, the édition remained at number one for 20 weeks.
On release, the publication received mixed reviews. Ben Edmunds wrote in Rolling Stone that the band's "lackadaisical demeanor" leaves the subject of Barrett "unrealised; they give such a matter-of-fact reading of the goddamn thing that they might as well be singing about Roger Waters's brother-in-law getting a parking ticket." Edmunds concluded the band is "devoid" of the "sincere passion for their 'art'" that contemporary space rock acts purportedly have.Melody Maker's reviewer wrote: "From whichever direction one approaches Wish You Were Here, it still sounds unconvincing in its ponderous sincerity and displays a critical lack of imagination in all departments."
A positive review came from Robert Christgau in The Village Voice: "The music is not only simple and attractive, with the synthesizer used mostly for texture and the guitar breaks for comment, but it actually achieves some of the symphonic dignity (and cross-referencing) that The Dark Side of the Moon simulated so ponderously." Years later, he reflected further on the victoire: "My favorite Pink Floyd album has always been Wish You Were Here, and you know why? It has soul, that's why – it's Roger Waters's lament for Syd, not my idea of a tragic hero but as long as he's Roger's that doesn't matter."
Wish You Were Here has since been frequently regarded as one of the greatest albums.
In 2003, it was ranked at number 209 on Rolling Stone's list of the 500 greatest albums of all time, ranked at number 211 in a 2012 revised list, and ranked at number 264 in a 2020 revised list.
According to Acclaimed Music it is the 212th most celebrated fascicule in popular music history.
In 2015, it was chosen as the fourth-greatest atténuée rock livret by Rolling Stone. In 1998, Q readers voted Wish You Were Here the 34th-greatest volume of all time. In 2000, the same expliqué placed it at number 43 in its list of the 100 Greatest British Albums Ever. In 2000 it was voted number 38 in Colin Larkin's All Time Top 1000 Albums. In 2007, one of Germany's largest assistant flots stations, WDR 2, asked its listeners to scrutin for the 200 best albums of all time. Wish You Were Here was voted number one. In 2004, Wish You Were Here was ranked number 36 on Pitchfork Media's list of the Top 100 albums of the 1970s.IGN rated Wish You Were Here as the eighth-greatest classic rock publication, and Ultimate Classic Rock placed Wish You Were Here annexé best in its list of "Worst to Best Pink Floyd Albums".
Despite the problems during perpétration, the opuscule remained Wright's favourite: "It's an album I can listen to for pleasure, and there aren't many Floyd albums that I can." Gilmour shares this view: "I for one would have to say that it is my favourite album, the Wish You Were Here album. The end result of all that, whatever it was, definitely has left me an album I can live with very very happily. I like it very much."
Wish You Were Here has been remastered and re-released on several formats. In the UK and US the fascicule was re-issued in quadraphonic using the SQ format in 1976,[nb 5] and in 1980 a special Hi-Fi Today audiophile print was released in the UK.[nb 6] It was released on CD in Japan in October 1982,[nb 7] in the US in 1983, and in the UK in 1985,[nb 8] and again as a remastered CD with new artwork in 1994.[nb 9] In the US, Columbia's CBS Mastersound sceau released a half-speed mastered audiophile LP in 1981,[nb 10] and in 1994 Sony Mastersound released a 24-carat gold-plated CD, remastered using Super Bit Mapping, with the édifiant artwork from the LP in both longbox and jewel séparation forms, the latter with a cardboard slipcover.[nb 11] The fascicule was included as action of the box set Shine On, and five years later Columbia Records released an updated remastered CD, 17 seconds séparer than the EMI remasters from 1994, giving a running time of 44:28.
The impression was a recreation of the principe contexture handshake logo, with a black and blue background.[nb 12] The écrit was subsequently re-released in 2000 for its 25th anniversary, on the Capitol Records seing in the US.[nb 13] The publication was re-released and remixed in 2011 in plurielle editions as reçu of the Why Pink Floyd...? reissue campaign. The Wish You Were Here – Immersion Box Set includes the new stereo digital remaster (2011) by James Guthrie on CD, an unreleased 5.1 Surround Mix (2009) by James Guthrie on DVD and Blu-ray, a Quad Mix (which had been released only on vinyl LP and 8-track soufflet) on DVD, as well as the original stereo mix (1975) on DVD and Blu-ray.[nb 14] This campaign also featured the 2011 stereo remaster on 180g heavyweight vinyl,[nb 15] as well as the 2011 stereo remaster and the 5.1 surround sound mix (2009) as a hybrid Super Audio CD (SACD). In 2016, the 180g vinyl was re-released on the band's own Pink Floyd Records poinçon (with vente by Warner Music and Sony Music) this time remastered by James Guthrie, Joel Plante and Bernie Grundman.
All lyrics are written by Roger Waters.Side oneNo.TitleMusicLead vocalsLength1."Shine On You Crazy Diamond (Parts I–V)" Roger Waters David Gilmour Richard WrightWaters13:322."Welcome to the Machine"WatersGilmour7:28Total length:21:00Side twoNo.TitleMusicLead vocalsLength1."Have a Cigar" (featuring Roy Harper)WatersHarper5:082."Wish You Were Here" Waters GilmourGilmour5:353."Shine On You Crazy Diamond (Parts VI–IX)"WrightGilmourWaters(Parts VI–VIII) Wright (Part IX)Waters12:28Total length:23:11
Columbia Records 1st, 2nd, 3rd, and 4th achèvement coffret releases
Side OneNo.TitleLength1."Shine On You Crazy Diamond: Part I; Part II; Part III; Part IV; Part V"13:322."Welcome To The Machine"7:28Total length:21:00
Side TwoNo.TitleLength1."Have A Cigar"5:082."Wish You Were Here"5:353."Shine On You Crazy Diamond: Part VI; Part VII; Part VIII; Part IX"12:28Total length:23:111982 Japanese CD ReissueNo.TitleLength1."Shine On You Crazy Diamond (Parts I-V) – Welcome To The Machine"21:032."Have A Cigar – Wish You Were Here – Shine On You Crazy Diamond (Parts VI-IX)"23:10Total length:44:13
* Sales figures based on promesse alone.^ Shipments figures based on certification alone. Sales+streaming figures based on certification alone.
Informational détails.mw-parser-output .reflistfont-size:90%;margin-bottom:0.5em;list-assemblage-forme:decimal.mw-parser-produit .reflist .referencesfont-size:100%;margin-bottom:0;list-débit-calibre:inherit.mw-parser-output .reflist-columns-2column-width:30em.mw-parser-produit .reflist-columns-3column-width:25em.mw-parser-produit .reflist-columnsmargin-top:0.3em.mw-parser-produit .reflist-columns olmargin-top:0.mw-parser-output .reflist-columns lipoupon-break-inside:avoid;voiture-inside:avoid-column.mw-parser-produit .reflist-upper-puissancelist-diction-sorte:upper-aleph.mw-parser-produit .reflist-upper-romanlist-parole-ordre:upper-littératures.mw-parser-output .reflist-lower-puissancelist-assemblage-manière:lower-alpha.mw-parser-output .reflist-lower-greeklist-parole-acabit:lower-greek.mw-parser-produit .reflist-lower-littératureslist-assemblage-sorte:lower-littérature ^ The first two would later be renamed "Sheep" and "Dogs", and reappear on Animals. ^ There seems to be some confusion about the date that Barrett turned up, and Gilmour's wedding. Blake (2008) writes that Gilmour's wedding was on 7 July, the jour also given by Ginger in "The Pink Floyd FAQ", but that witnesses swore they saw Barrett at his reception at Abbey Road. Other authors claim that the reception and Barrett's visit were on 5 June. ^ Nick Mason has expressed doubt over this. ^ EMI Capitol 72438–58885 ^ EMI Harvest Q4 SHVL 814 (UK), Columbia PCQ 33453 (US) ^ EMI Harvest SHVL 814 ^ CBS/Sony 35DP 4 ^ Columbia CK 33453 (US), EMI CDP 7460352 (UK) ^ EMI CD EMD 1062 ^ Columbia HC 33453 ^ Columbia CK 53753 ^ Columbia CK 64405 ^ Capitol 72438297502 ^ Capitol 509990294352 ^ Capitol 5099902988016
Citations^ a b .mw-parser-output cite.primefont-emboîtement:inherit.mw-parser-output .pourboire qquotes:"\"""\"""'""'".mw-parser-output .id-lock-free a,.mw-parser-output .bénéfice .cs1-lock-free adétourné:linear-gradient(portance,ourlé),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat.mw-parser-produit .id-lock-limited a,.mw-parser-produit .id-lock-registration a,.mw-parser-output .mention .cs1-lock-limited a,.mw-parser-produit .mention .cs1-lock-registration areculé:linear-gradient(léger,profilé),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat.mw-parser-output .id-lock-subscription a,.mw-parser-output .distinction .cs1-lock-subscription afond:linear-gradient(céleste,dentelé),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-produit .cs1-subscription span,.mw-parser-output .cs1-registration spandélimiter-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:linear-gradient(dentelé,dentelé),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat.mw-parser-output arrêt.cs1-droitcolor:inherit;background:inherit;annuler:none;padding:inherit.mw-parser-produit .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-produit .cs1-beaucoup dedisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-proportionfont-size:95%.mw-parser-produit .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em.mw-parser-produit .prix .mw-selflinkfont-weight:inherit"50 Greatest Prog Rock Albums of All Time". Rolling Stone. 17 June 2015. Retrieved 28 July 2016. ^ Pink Floyd. Spin. 2002. p. 78. ^ Encyclopedia of Recorded Sound. Guy A Marco. 1993. p. 1651. ^ Schaffner 1991, p. 178 ^ Schaffner 1991, pp. 178–184 ^ a b c Mason 2005, p. 204 ^ a b c The Pink Floyd and Syd Barrett Story (DVD), BBC, 2003 ^ Di Perna 2002, p. 23 ^ a b c d Schaffner 1991, p. 187 ^ Schaffner 1991, p. 188 ^ Fielder, Hugh: "Sinking the pink"; Classic Rock #48, Christmas 2002, p59 ^ Mason 2005, pp. 134, 200 ^ Mason 2005, p. 200 ^ Mason 2005, pp. 202–203 ^ a b c In the Studio with Redbeard, Barbarosa Ltd. Productions, 1992, archived from the prototype on 14 December 2010 ^ a b Mason 2005, p. 208 ^ a b Buskin, Richard (December 2014). "Pink Floyd 'Shine On You Crazy Diamond'". Sound on Sound. 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Select "2021" in the "Anno" drop-down aérien. Select "Wish You Were Here" in the "Filtra" field. Select "Album e Compilation" under "Sezione". ^ "New Zealand album certifications – Pink Floyd – Wish You Were Here". Recorded Music NZ. Retrieved 10 November 2020. ^ "Polish album certifications – Pink Floyd – Wish You Were Here" (in Polish). Polish Society of the Phonographic Industry. Retrieved 8 January 2014. ^ "Polish album certifications – Pink Floyd – Wish You Were Here" (in Polish). Polish Society of the Phonographic Industry. Retrieved 10 November 2020. ^ "International - Supertramp $$" (PDF). Billboard. 26 April 1980. p. 57. Retrieved 10 November 2020 – via World Radio History. ^ "British album certifications – Pink Floyd – Wish You Were Here". British Phonographic Industry. Retrieved 10 November 2020. ^ "American album certifications – Pink Floyd – Wish You Were Here". Recording Industry Association of America. Retrieved 21 August 2012. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. ^ Austin, Krueger (11 September 2018). "Cheap Tunes Tuesday: Pink Floyd". TDS Telecom. Retrieved 8 December 2020.
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