ALESSANDRO CECCHI. Directeur du département de la peinture du Moyen Âge au début de la Renaissance du musée des Offices. Il a publié d'importantes études et des œuvres monographiques consacrées aux artistes et aux monuments toscans, parmi lesquelles Palazzo Vecchio e i Medici (avec A. Muccini, Florence, 1980), Andrea del Sarto (avec A. Natali, Florence, 1989), Le Stanze del Principe (Florence, 1991). Il a dirigé les restaurations de nombreuses peintures des XIVe et XVe siècles. VINCENZO FARINELLA. Professeur associé d'histoire de l'art moderne à l'université de Pise. Il a publié, entre autres, " Calore del marmo. Pratica e tipologia delle deduzioni iconografiche " (avec G. Agosti) dans Memoria dell'antico nell'arte italiana (Turin, 1984), Archeolgia e pittura a Roma tra Quattrocento e Cinquecento (Turin, 1992), " Un percorso nella cultura artistica romana (1423-1622) " dans Roma del Rinascimento (Rome-Bari, 2001). ANDREA BALDINOTTI. Historien d'art. Il a contribué au catalogue de l'exposition Architettura fiorentina al tempo di Lorenzo il Magnifico avec un essai consacré à " La camera terrena di Lorenzo il Magnifico " (Florence, 1992). Avec Vincenzo Farinella, il a dirigé l'exposition et l'élaboration du catalogue consacré à Pittura dei campi. Egisto Ferroni e il naturalismo europeo (Pise, 2002).
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Masaccio, byname of Tommaso di Giovanni di Simone Cassai, (born December 21, 1401, Castel San Giovanni [now San Giovanni Valdarno, near Florence, Italy]—died autumn 1428, Rome), important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c. 1427) remained influential throughout the Renaissance.[/has_googlemeta5][has_googlemeta6]. Masaccio - Trinity (scheme of the perspective) - WGA14207.jpg 524 × 789; 41 KB Masaccio 003.jpg 2,024 × 2,522; 612 KB Masaccio Dreifaltigkeit 1425-28 Santa Maria Novella Florenz-1.jpg 2,856 × 4,284; 1.52 MB . La Trinità di Masaccio by Michelangelo Moggia. Usage Attribution-NonCommercial-NoDerivs Topics art, Masaccio, Trinity, arte, Masaccio, Trinit
Masaccio paid extremely close attention to the dimensions of the objects and spaces that he painted, so much so that you can actually determine the dimensions of the room we are looking at in the fresco. Moving our eyes down the fresco, we see a skeleton in a tomb at the bottom.. This video is unavailable. Watch Queue Queue. Watch Queue Queue. "La La and Tessa show us authentic Italian."La Trinita is a small italian eatery in a shopping centre in Kyalami , no passing trade to speak of , but getting a table without a booking cannot be done. La La takes each order personally and then goes and makes it , this is not fast food people , sit back and relax and soak up the atmosphere , it . Masaccio (1401-1428) ; Alternative names: Birth name: Tommaso di Ser Giovanni di Simone: Description: painter: Date of birth/death: 21 December 1401 1428 Location of birth/death
Masaccio's contemporaries were struck by the palpable realism of this fresco, as was Vasari who lived over one hundred years later. Vasari wrote that "the most beautiful thing, apart from the figures, is a barrel-shaped vaulting, drawn in perspective and divided into squares filled with rosettes, which are foreshortened and made to diminish. La Trinità di Masaccio is one of the most important paintings in art history…..and it came very close to being destroyed! The fresco is on the wall of the left aisle in Santa Maria Novella, opposite the entrance through the cloisters. La Santa Trinità is the Holy Trinity; the Father, Son, and Holy Spirit. It was commissioned by unknown donors, probably from the Lenzi or Berti families. The Trinity fresco is the most famous work of Masaccio beside the frescoes in the Cappelle Brancacci. There are various opinions as to exactly when this fresco was painted between 1425 and 1428. It was described in detail by Vasari in 1568, who emphasized the virtuosity of the "trompe l'oeil" in the architectural structure of the painting: "a